Danton (dir. Andrej Wajda, 1983; Gerard Depardieu, Wojciech Pszoniak, Anne Alvaro) will be screened on March 28 Friday, at 17:00, at the Garanti Kultur Merkezi.
The movie focuses on the events of the "Reign of Terror" during the French revolution, through two of its central figures, Georges Danton and Maximilien Robespierre.
If you miss this screening, you can also borrow the film from the MAFM.
27 Mart 2008 Perşembe
18 Mart 2008 Salı
THE AGE OF ABSOLUTISM: STATE BUILDING AND POLITICAL CONFLICTS
THE POWER OF THE PRINCE / ÇİĞDEM KAFESCİOĞLU
March 7, 2008
Transitions between the late medieval and early modern forms of political organization, beginnings of the demise of feudal power structures, the first steps toward the consolidation of centralized territorial states.
15th century Europe: city states in Italy and Germany; the Holy Roman Empire; feudal monarchies in France and Spain.
Italy: medieval communes replaced by five principle city states by mid 15th century, Florence, Naples, Rome and the Vatican, Milan, Venice. Various combinations of representational and constitutional structures with monarchic notions of rule.
Rise of mercantile economy, new and prominent class of merchant bankers. Concentration of power in the hands of new elites.
Florence: rise of the Medici to power from 1430’s onwards.
Princely courts, and the princely network in Italy.
The prince and the courtier.
Repeated assertion and representation of authority through ceremonial, family and patronage networks, and the arts.
French and Spanish invasions of Italy from 1494 onwards.
Niccolo Macchiavelli, The Prince, 1513.
France: territorial consolidation between 1453 and 1530’s.
The three estates: clergy, nobility, townsmen
Standing army; new fiscal regime and system of taxation. Notion of the monarch as ultimate sovereign, with divine qualities.
Spain: trend toward unification, particularly through marriage of Ferdinand of Castile and Isabella of Aragon, 1469
Notions of divine sanction of monarchs.
Expulsion of Jews and Muslims: part of the trend toward homogenization and territorial consolidation.
Overall, through the later 15th century: growth of state bureaucracies, new taxation policies, formation of standing armies lay the foundations of absolutist polities. Territorial consolidation, notions of divine rule, centralizing tendencies, balancing out of various power holders.
OTTOMAN ABSOLUTISM AND ITS LIMITS / DERİN TERZİOĞLU
March 10, 2008
- The paradigm of Oriental Despotism and its critique
- The making of Ottoman absolutism: an historical overview
- The sultan and the sultanate
- The kul elites
- The timar institution
- The learned establishment
- Ottoman legal culture and limits to royal authority
- The transformation of the Ottoman state after the late sixteenth century
Terms and names
Machiavelli
Montesquieu
Sultan
Caliph
Mehmed II
Kul, janissary, devşirme
Timar, timarli
Tahrir (land survey)
Ulema
Kadi, mufti, müderris
Shariah
Kanun
Urban notables (ayan)
Taxfarming
ABSOLUTISM IN SOUTH ASIA: THE MUGHAL EMPIRE: 16th to 19th CENTURY/ MELTEM TOKSÖZ
March 12, 2008
March 7, 2008
Transitions between the late medieval and early modern forms of political organization, beginnings of the demise of feudal power structures, the first steps toward the consolidation of centralized territorial states.
15th century Europe: city states in Italy and Germany; the Holy Roman Empire; feudal monarchies in France and Spain.
Italy: medieval communes replaced by five principle city states by mid 15th century, Florence, Naples, Rome and the Vatican, Milan, Venice. Various combinations of representational and constitutional structures with monarchic notions of rule.
Rise of mercantile economy, new and prominent class of merchant bankers. Concentration of power in the hands of new elites.
Florence: rise of the Medici to power from 1430’s onwards.
Princely courts, and the princely network in Italy.
The prince and the courtier.
Repeated assertion and representation of authority through ceremonial, family and patronage networks, and the arts.
French and Spanish invasions of Italy from 1494 onwards.
Niccolo Macchiavelli, The Prince, 1513.
France: territorial consolidation between 1453 and 1530’s.
The three estates: clergy, nobility, townsmen
Standing army; new fiscal regime and system of taxation. Notion of the monarch as ultimate sovereign, with divine qualities.
Spain: trend toward unification, particularly through marriage of Ferdinand of Castile and Isabella of Aragon, 1469
Notions of divine sanction of monarchs.
Expulsion of Jews and Muslims: part of the trend toward homogenization and territorial consolidation.
Overall, through the later 15th century: growth of state bureaucracies, new taxation policies, formation of standing armies lay the foundations of absolutist polities. Territorial consolidation, notions of divine rule, centralizing tendencies, balancing out of various power holders.
OTTOMAN ABSOLUTISM AND ITS LIMITS / DERİN TERZİOĞLU
March 10, 2008
- The paradigm of Oriental Despotism and its critique
- The making of Ottoman absolutism: an historical overview
- The sultan and the sultanate
- The kul elites
- The timar institution
- The learned establishment
- Ottoman legal culture and limits to royal authority
- The transformation of the Ottoman state after the late sixteenth century
Terms and names
Machiavelli
Montesquieu
Sultan
Caliph
Mehmed II
Kul, janissary, devşirme
Timar, timarli
Tahrir (land survey)
Ulema
Kadi, mufti, müderris
Shariah
Kanun
Urban notables (ayan)
Taxfarming
ABSOLUTISM IN SOUTH ASIA: THE MUGHAL EMPIRE: 16th to 19th CENTURY/ MELTEM TOKSÖZ
March 12, 2008
A region of travel and transport connecting Central Asia and the Indian Ocean
• Warrior aristocracy in a multi-religious environment on a geography of co-existence in a chaotic era
• Centralization 1526 babür
• Turning into ruling dynasty with an army, land tenure and central government.
• 1556-1605 akbar
• 1658-1707 aurangzeb
THE REIGN OF AKBAR
• United north India, advanced to the south
• Ruling a more populous empire than the Ottomans and Safavids, 100-150 million
• Military might, prosperity and arts
• Adapting the Islamic state to a non-Muslim population: cultural synthesis via Din-al-ilahi
• Abolished jizya, established Din-al-ilahi
A modern state environment for agrarian history: 16th century
• An imperial state extended its authority over a vast terrain of a network of urban centers, inter-city routes, and state elites
• Standardising state operations and cultivating loyalty
The early modern state
• Central administration : a consistent supply of taxes and troops, and loyalty to the state
• Zamindari (timarli)
• Mansabdar (kul)
• Raiyat or ryot (peasantry)
• Allowing the continuity and development of trading communities
This system of control creates the power of absolute rulers
• The Mughal imperial system collected tax from many localities of many intermediaries, not just zamindars but also rajas (tributary kingdoms)
• Many layers of authority and entitlements
• An early modern state project: struggling to collect revenue and enforce state power over land rights.
• Warfare and rising value of land revenue financing Mughal imperial grandeur
What’s behind Mughal success?
• Integrating Muslims into imperial service (central asians, persians, afghans, indian muslims) without ethnic discrimination while respecting local custom and culture
• Placing Hindus at levels of bureaucracy
• Getting a considerable portion of Hindus (both rural and urban) ally with them
Decentralization
• 17th century onwards intermediary powers of QASBAH –Muslim- (ayan) and
ASHRAF –Hindu- (esraf)
THE MING BUREAUCRATIC EMPIRE IN
March 14, 2008
-Voltaire and the Enlightenment View of Chinese Bureaucratic Empire
-Ming Bureaucracy
-State Examinations
-Autocracy of the Ming Emperor
-Tokugawa Centralized Feudalism
-Shoguns and the Bakufu government
-Local autonomy of Domains
RELIGION, CULTURE, AND SOCIETY IN THE EARLY MODERN ERA
THE RENAISSANCE IN EUROPE / ÇİĞDEM KAFESCİOĞLU
February 29, 2008
Preliminary remarks: 19th- and early 20th-century views of the Renaissance, focusing on the sharp break from the Medieval era, and the birth of modern Europe. Reflections of enlightenment and modern thinking on the interpretation of European cultural fluorescence of the 15th and 16th centuries.
Later 20th century critique of earlier interpretations; and current approaches
Setting:
15th century Florence: urban commercial economy led by the new mercantile establishment; new culture of commerce and consumption, new social alignments. Rise to prominence of new merchant-banker elites, over traditional aristocracies. Transformation of medieval courtly ideals.
Parallel developments in other city states of Italy
Studia humanitatis
Revival of Greek and Roman antiquity, emphasis on humanism and civic virtues. Ancient Greece and Rome perceived as foundational; models for the present, and present ideologies, cultures, and values. New sense of history; validation of the present through the past.
Revival of antiquity also a frame and legitimization for new elite and new forms of courtly society.
New sense of self, and new modes of self-representation, new modes of negotiating one’s place in social hierarchies.
Revived or new cultural forms: collections of letters in Latin or vernaculars; geographical surveys, maps; the essay, the autobiography, the newsletter. In visual arts: ancient history and mythology alongside Biblical themes; portrait painting, single point perspective.
A relatively more secular outlook, and non-religious modes of expression and cultural production become more visible. New forms of artistic and cultural patronage, new forms of civility and manners.
Encounter with distant and less-distant geographies and peoples, part of Renaissance culture of discovery and expansion
Distinctions between medieval and Renaissance rediscovery of antiquity
Diffusion of new cultural trends to northern Europe and fringes of Europe (Hungary, Ottoman lands): Renaissance ideas re-shaped, re-interpreted, used in line with local cultural dynamics.
THE REFORMATION IN EUROPE; CHANGE IN SOCIETY AND CULTURE / ÇİĞDEM KAFESCİOĞLU
March 3, 2008
Impact of printing in cultural change in early modern Europe; ideas and cultural forms travel with unprecedented speed; rise in literacy levels. Popularization of the Bible in vernacular languages, alongside other religious texts.
Origins of reformist thought:
Late medieval origins of discontent with practices of the church and Papacy.
Impact of humanist thinkers from Northern Europe: Erasmus of Rotterdam, Thomas More
“St. Peters indulgence”, 1517
Martin Luther, “Ninety five theses”, 1517
“Protestant churches”, 1529
Anglican church, break with papacy in England, 1533
Primary figures of Protestant reformation: Martin Luther, Ulrich Zwingli, John Calvin
Rejection of catholic mass, “priesthood of all believers”
Radical reformers: majority artisans and peasants, often against church hierarchies; intensely persecuted
Catholic reformation: based on drive for internal reform, as a response to earlier discontent; also a reaction to reformist movements in Northern Europe.
Prominence of religious orders, particularly Jesuits, to propagate ideas of Catholic reformers
Council of Trent, 1545-1563
Wars of religion in Europe, intertwined with political and dynastic issues, 1520’s through 1648
Also: Suppression of others, preoccupation with witchcraft, expulsion of Jews and Muslims from Spain, establishment of Ghettos for Jewish communities
Protestant ideas linked to political and social programs, demands regarding civil rights
Diet of Augsburg, 1555. Each prince to determine religion of his territory and to establish local church: step towards formation and homogenization of territorial states.
Women and social change:
In protestant thought, women and men spiritually equal, while patriarchal rules and practices prevail.
Relatively greater visibility, economic and legal independence of women, in catholic and protestant domains, to different degrees across social classes.
Simultaneously, spread of Roman law unfavorable to women.
CULTURE AND SOCIETY IN THE EARLY MODERN MIDDLE EAST / ÇİĞDEM KAFESCİOĞLU
March 5, 2008
Late medieval foundations of cultural trends in the early modern Middle East. Persianate literary tradition in the eastern parts of the larger Islamic world; Arabic tradition in west. Greek heritage important to both.
Timurid fluorescence: Iranian court culture through the 14th and 15th centuries, court patronage of arts, literature, history
From later 15th century onwards: consolidation of the Ottoman, Mughal, and Safavid empires.
Population rise, increased pace of urbanization. Growth of commercial activity and trade networks lead to economic and cultural vivacity of cities.
Creation of imperial capital cities through major projects: Istanbul, Fatehpur Sikri and Agra, Isfahan
Courtly and urban ceremonial, patronage of arts, monumental architecture central to self-representation, legitimization and perpetuation of early modern polities in Middle East and elsewhere.
Formation of separate imperial and regional identities in the three realms, alongside parallels and connections.
Ottoman, Safavid, Mughal empires rule over multi-ethnic, multi-religious societies: encounters between diverse cultural and religious practices.
Former institutional and legal frameworks that developed in the middle east through the medieval era continued to shape social interaction and cultural production. Waqf (pious and charitable foundations) as an example. Patronage networks created and sustained through charitable foundations.
New cultural practices:
Coffeehouses: popularity of a new kind of social space, and reactions; new literary forms; rise of literacy levels (print culture limited to non-Muslim communities); geographic literature; revival of antiquity in Ottoman architecture.
February 29, 2008
Preliminary remarks: 19th- and early 20th-century views of the Renaissance, focusing on the sharp break from the Medieval era, and the birth of modern Europe. Reflections of enlightenment and modern thinking on the interpretation of European cultural fluorescence of the 15th and 16th centuries.
Later 20th century critique of earlier interpretations; and current approaches
Setting:
15th century Florence: urban commercial economy led by the new mercantile establishment; new culture of commerce and consumption, new social alignments. Rise to prominence of new merchant-banker elites, over traditional aristocracies. Transformation of medieval courtly ideals.
Parallel developments in other city states of Italy
Studia humanitatis
Revival of Greek and Roman antiquity, emphasis on humanism and civic virtues. Ancient Greece and Rome perceived as foundational; models for the present, and present ideologies, cultures, and values. New sense of history; validation of the present through the past.
Revival of antiquity also a frame and legitimization for new elite and new forms of courtly society.
New sense of self, and new modes of self-representation, new modes of negotiating one’s place in social hierarchies.
Revived or new cultural forms: collections of letters in Latin or vernaculars; geographical surveys, maps; the essay, the autobiography, the newsletter. In visual arts: ancient history and mythology alongside Biblical themes; portrait painting, single point perspective.
A relatively more secular outlook, and non-religious modes of expression and cultural production become more visible. New forms of artistic and cultural patronage, new forms of civility and manners.
Encounter with distant and less-distant geographies and peoples, part of Renaissance culture of discovery and expansion
Distinctions between medieval and Renaissance rediscovery of antiquity
Diffusion of new cultural trends to northern Europe and fringes of Europe (Hungary, Ottoman lands): Renaissance ideas re-shaped, re-interpreted, used in line with local cultural dynamics.
THE REFORMATION IN EUROPE; CHANGE IN SOCIETY AND CULTURE / ÇİĞDEM KAFESCİOĞLU
March 3, 2008
Impact of printing in cultural change in early modern Europe; ideas and cultural forms travel with unprecedented speed; rise in literacy levels. Popularization of the Bible in vernacular languages, alongside other religious texts.
Origins of reformist thought:
Late medieval origins of discontent with practices of the church and Papacy.
Impact of humanist thinkers from Northern Europe: Erasmus of Rotterdam, Thomas More
“St. Peters indulgence”, 1517
Martin Luther, “Ninety five theses”, 1517
“Protestant churches”, 1529
Anglican church, break with papacy in England, 1533
Primary figures of Protestant reformation: Martin Luther, Ulrich Zwingli, John Calvin
Rejection of catholic mass, “priesthood of all believers”
Radical reformers: majority artisans and peasants, often against church hierarchies; intensely persecuted
Catholic reformation: based on drive for internal reform, as a response to earlier discontent; also a reaction to reformist movements in Northern Europe.
Prominence of religious orders, particularly Jesuits, to propagate ideas of Catholic reformers
Council of Trent, 1545-1563
Wars of religion in Europe, intertwined with political and dynastic issues, 1520’s through 1648
Also: Suppression of others, preoccupation with witchcraft, expulsion of Jews and Muslims from Spain, establishment of Ghettos for Jewish communities
Protestant ideas linked to political and social programs, demands regarding civil rights
Diet of Augsburg, 1555. Each prince to determine religion of his territory and to establish local church: step towards formation and homogenization of territorial states.
Women and social change:
In protestant thought, women and men spiritually equal, while patriarchal rules and practices prevail.
Relatively greater visibility, economic and legal independence of women, in catholic and protestant domains, to different degrees across social classes.
Simultaneously, spread of Roman law unfavorable to women.
CULTURE AND SOCIETY IN THE EARLY MODERN MIDDLE EAST / ÇİĞDEM KAFESCİOĞLU
March 5, 2008
Late medieval foundations of cultural trends in the early modern Middle East. Persianate literary tradition in the eastern parts of the larger Islamic world; Arabic tradition in west. Greek heritage important to both.
Timurid fluorescence: Iranian court culture through the 14th and 15th centuries, court patronage of arts, literature, history
From later 15th century onwards: consolidation of the Ottoman, Mughal, and Safavid empires.
Population rise, increased pace of urbanization. Growth of commercial activity and trade networks lead to economic and cultural vivacity of cities.
Creation of imperial capital cities through major projects: Istanbul, Fatehpur Sikri and Agra, Isfahan
Courtly and urban ceremonial, patronage of arts, monumental architecture central to self-representation, legitimization and perpetuation of early modern polities in Middle East and elsewhere.
Formation of separate imperial and regional identities in the three realms, alongside parallels and connections.
Ottoman, Safavid, Mughal empires rule over multi-ethnic, multi-religious societies: encounters between diverse cultural and religious practices.
Former institutional and legal frameworks that developed in the middle east through the medieval era continued to shape social interaction and cultural production. Waqf (pious and charitable foundations) as an example. Patronage networks created and sustained through charitable foundations.
New cultural practices:
Coffeehouses: popularity of a new kind of social space, and reactions; new literary forms; rise of literacy levels (print culture limited to non-Muslim communities); geographic literature; revival of antiquity in Ottoman architecture.
11 Mart 2008 Salı
Film, March 14
The Merchant of Venice (dir. Michael Radford, 2004; Al Pacino, Jeremy Irons, Lynn Collins) will be screened this Friday, March 14, at 17:00, at the GKM.
The Merchant of Venice is adapted from William Shakespeare's play with the same title. Written around 1596 and set in sixteenth-century Venice, it touches upon such themes as mercantile society, inter-communal relations, urban and courtly life.
If you miss this screening, you can also borrow the film from the Mithat Alam Film Center.
The Merchant of Venice is adapted from William Shakespeare's play with the same title. Written around 1596 and set in sixteenth-century Venice, it touches upon such themes as mercantile society, inter-communal relations, urban and courtly life.
If you miss this screening, you can also borrow the film from the Mithat Alam Film Center.
Rooms for discussion sections - Updated
| 09:00 | 10:00 | |||
| E. MELEK CEV. | A. ABDULLAH SAÇMALI | |||
| KPARK3 | KPARK6 | |||
| FATİH | AKKUŞ | CİHAD | ACAR | |
| HULİSİ BURHAN | ALPARGUN | MERVE | AKAR | |
| YAPRAK | AYDIN | YUSUF | AKBULUT | |
| GÜNEŞ | AYDIN | MERVE | AKGÜL | |
| BERİL | ÇAKIROĞLU | NURSEL | AKHAN | |
| GİZEM | ÇALIŞKAN | SEDAT | ALTUN | |
| HASAN NURHAN | ÇELİK | ABDULLAH SAİD | ARI | |
| SELİM | ÇETMEN | İPEK TUĞÇE | BAHÇECİ | |
| GİZEM | DİZDAROĞLU | ALİ BATUHAN | BARLAS | |
| MERVE | DOĞAN | SEVİL | BAŞARAN | |
| TALHA İSMAİL | DUMAN | ORKUN | BAŞARAN | |
| BAŞAK | DÜNDAR | ÖZGE IŞIL | BOR | |
| TÜLİN | EREN | ABDULSAMET | BOZKURT | |
| OKTAY | ERTÜRK | MUSTAFA EMİN | BÜYÜKCOŞKUN | |
| NAZİYE | GÜNEŞ | RENİN | CANBOLAT | |
| CİHAN | İÇLEK | DORUK | CENGİZ | |
| DİLA | KELEŞ | ÖMER CAN | CEYHAN | |
| ELİF | KURTULUŞ | ALEXANDER | CHERNOUDOV | |
| MERTER | OKUROĞLU | FATMA | ÇAĞLAR | |
| ZEYNEP | ÖZDOĞAN | MUHİDDİN | ÇELİK | |
| MUSTAFA NECİP | POLATCAN | MUSTAFA KEMAL | IŞIK | |
| SURAYYA | SHIRINOVA | MELTEM | ÖZ | |
| AHMET | TAŞCI | BAHAR | ÖZDEMİR | |
| FATMA CANSU | VAROL | ENES | ÖZTÜRK | |
| ZEYNEP | YAVUZ | |||
| OKCAN | YILDIRIMTÜRK | |||
| 10:00 | 10:00 | |||
| E. MELEK CEV. | AYŞE TEK BAŞARAN | |||
| KPARK3 | KPARK10 | |||
| ÜMMÜ | BUCAKÖZ | YELİZ | ÇELEBİ | |
| GİZEM | ÇETİN | HAKAN | KÖSE | |
| ENGİN | DAĞLIK | HİLMİ | KURŞUN | |
| YILMAZ | DEĞERLİ | ERSİN | MADEN | |
| TALİN | DEMİRCİ | MERVE | MART | |
| MERYEM | DEMİRHAN | MELİKE EZGİ | MEMİŞ | |
| MURAT | DİKMEN | FERHAT CİHAT | MEMİŞ | |
| HİLAL | DÖNER | ECE | MENDİ | |
| GÜNSELİ | DURMAZ | EMİR | NEFTÇİ | |
| EMRE EMİN | EKİN | KERİME BURÇİN | OKAY | |
| AYŞIL | EMİRMAHMUTOĞLU | DZAVIT | ORANOSKI | |
| EMİRHAN | ERİNGEN | ELİF | ÖGE | |
| GÜL | ERTUĞRUL | GÖZDE | ÖNDER | |
| NAZLI | GÜRDAMAR | ERAY | ÖZCAN | |
| AYŞEGÜL DAMLA | GÜRKAN | İDİL | ÖZCE | |
| BURCU | HÜSREVOĞLU | EYÜP | ÖZÇİMEN | |
| OĞUZ | KARADAĞ | HATİCE | ÖZEN | |
| ANIL | KARAMANLIOĞLU | VİLDAN | ÖZGEN | |
| DENİZ | KARAPINAR | SEYFULLAH HALİD | ÖZKURT | |
| FERHAT | KARDAŞ | ŞEYDA | ÖZSOY | |
| AYCAN | KATITAŞ | DİLARA | ÖZTAN | |
| CANSARP | KAYA | ONUR BİLGE | PUSAT | |
| CANAN DİLARA | KIZILYALIN | GAYE | SAKARYA | |
| DENİZ PINAR | KONUK | GÜZİN | SARMAŞIK | |
| NAZ | TÜRE | TUNA | ZERGEÇİT | |
| ALP | ÖZDEMİR | NEDA | ARAFAT | |
| DUYGU | CANKILIÇ | |||
| ERSAN | AVCI | |||
| 10:00 | 11:00 | |||
| ULUĞ KUZUOĞLU | AYŞE TEK BAŞARAN | |||
| KPARK5 | KPARK10 | |||
| HANDE VUSLAT | BÜYÜKDAĞ | HATİCE | AKIN | |
| ELİF | GÜLTEKİN | HASAN İLHAN | ANBAR | |
| CANSU NİHAL | KALENDER | GÖRKEM | AYPAR | |
| ÖZGE | SEKMEN | NİMET | AYSAL | |
| İREM | SEZER | EMREN | AYTEKİN | |
| AYŞE HAZAL | SEZER | BAHADIR | BALTUTAN | |
| HANDE | SOĞANCILAR | BİLAL | BAYSOY | |
| İRENE SABAHAT | SUN | KAREL | BENSUSAN | |
| İPEK BURCU | ŞAŞMAZ | NEŞE | CAMBAZ | |
| CEREN | ŞENGÜL | EMİNE | ÇAPAR | |
| CEMRENUR | TOPUZ | MEHMET OZAN | ÇELİK | |
| TUĞÇE NAZ | TUĞTEKİN | SARP | ÇÖLGEÇEN | |
| TÜRKER | TÜKENMEZ | ONUR | DARGA | |
| ÇİSE | ULUIŞIK | ÖZNUR | DEDELER | |
| KEREM CAN | UŞŞAKLI | ZEYNEP | DEMİRAĞLI | |
| SELEHATTİN | UYSAL | ÖZAY | DEMİREZEN | |
| EMRE | UZUN | EBRU | DİKMAN | |
| EMRE | UZUNDAĞ | MEHMET ALİ | DÖNMEZ | |
| BİRGÜL | ÜNAL | KEREM | DÜLGER | |
| ŞULE | ÜZÜMCÜ | FUNDA | GENÇ | |
| FATİH NURETTİN | YILDIRIM | AYŞE DİCLE | GENÇER | |
| GÜLİZ | YILMAZ | ZEYNEL CAN | GÜNDOĞDU | |
| ASLIHAN | YILMAZER | ENES | GÜNDOĞDU | |
| ÖZCAN ERMAN | YÜKSEL | RÜMEYSA | GÜNDÜZ | |
| ECE | ZERMAN | İREM | GÜNHAN | |
| DENİZ | İNHANLI | MERVE | DUMAN | |
| YASEMİN FATMA | ÖZYİĞİT | |||
| BURCU | ALSAN | |||
| NİSAN | İLÇİZ | |||
| MÜGE | ÖZBEK | |||
| 11:00 | 11:00 | |||
| ULUĞ KUZUOĞLU | A. ABDULLAH SAÇMALI | |||
| KPARK5 | KPARK6 | |||
| EBRU | KALKAN | PELİN | AVCU | |
| TAMER | KARALAR | GÖKÇE | AYTEKİN | |
| TUĞBA | KARASU | SİBEL | ÇALIŞKAN | |
| SELEN | KARTAL | BİLAL | DURUKAN | |
| NAĞME | KAŞMER | HİLAL | GÜMÜŞSOY | |
| METİN | KOCATÜRK | SERKAN | KANCA | |
| RECEP TUĞRUL | KÜREŞİR | SİNAN | ŞANLIER | |
| SEZİN | MATKAP | RÜMEYSA | ŞİŞMAN | |
| IŞIL | NECEF | MERVE | TETEY | |
| BELKIS | OKUMUŞ | BEGÜM | TOPALOĞLU | |
| MUSTAFA SELÇUK | ÖZAYDIN | NURAY | UĞUR | |
| GİZEM | ÖZER | VOLKAN | UYGUN | |
| ESEN | ÖZSARFATİ | FİLİZ | UZUNYAYLA | |
| METİN EMRE | ÖZÜNLÜ | FATİH | ÜSTÜN | |
| ALP BURAK | PEHLİVAN | RAMİZ | ÜZÜMÇEKER | |
| SELMA | SAVLAK | ŞEBNEM | YAPARELLER | |
| ŞULE | SELÇUK | ZEYNEP | YAŞAR | |
| SÜMEYRA | SERTTÜRK | HÜLYA | YAVUZ | |
| SEVAL | SÖNMEZ | MELEK | YEŞİLYURT | |
| HATİCE ESRA | ŞİMŞEK | TEVHİD | YILDIZ | |
| YASEMİN | TAHTALLI | İRFAN | YILDIZ | |
| BİLAL | TANYERİ | YASEMİN | YILMAZ | |
| MÜYESSER İREM | TEMEL | MERVE | YILMAZ | |
| DENİZ | KESKİN | AYŞEM | YORULMAZ | |
| SERKAN | KANCA | EMİNE | YÜCEL | |
| BEYZA | BİLAL | |||
| 13:00 | 13:00 | |||
| ULUĞ KUZUOĞLU | SEREN AKYOLDAŞ | |||
| KPARK6 | KPARK7 | |||
| KORAY | AĞDEMİR | TUBA | AYALP | |
| UĞURCAN | AKSOY | ÖMER | ÇETİN | |
| HARUN UTKU | AKSOY | SERAP | ÇEVİKEL | |
| BAHAR | ALTINTAŞ | HİLAL | ÇIKILI | |
| EMRAH | ARICILAR | ORHAN | DEMİR | |
| MERVE | ATEŞ | ÇİLER | DEMİRALP | |
| İDİL | AYATA | ÇAĞLA | DEMİRCİOĞLU | |
| DENİZ BERFİN | AYAYDIN | DAMLA | DOĞAN | |
| MERVE | AYDIN | KIVANÇ | KAYADENİZ | |
| MUHAMMED FATİH | AYHAN | EMİRHAN | DUMANOĞLU | |
| CANAN | BALKAN | ALİ SAMET | DURĞUN | |
| YAĞMUR | BARAN | BEDİZ | DÜZEL | |
| DURMUŞ ALİ | BATTAL | ALPER AYKUT | EKİNCİ | |
| HAVVA BAŞAK | BAYAZİT | HAMİDE | ERAVCI | |
| DENİZ | BAYRAM | ELİF CEREN | ERBURUK | |
| İREM | BİLGİN | ARSLAN YAĞMUR | ERDOĞAN | |
| NİLAY | BİLĞİER | ULVİ GÜN | ERDOĞDU | |
| EZGİ | BOZKURT | GÖKHAN | ERMİŞ | |
| BURCU | CANBAŞ | SİNAN | FAKİR | |
| SİNEM | CANER | ADEM EFE | GENCER | |
| ZERRİN | CENGİZ | İDİL BEYZA | GÖĞÜSTEN | |
| HANDE | ÇAĞDAŞ | GÖKHAN | GÖKTAŞ | |
| MÜZEYYEN GİZEM | ÇAĞLAR | BAHAR | GÜNEŞ | |
| GİZEM | TURAN | HANDE | GÜZEL | |
| GÜL İPEK | USLUER | MAHMURE İDİL | ÖZKAN | |
| SİNEM | DOĞANER | OKTAY | ÇİFTÇİ | |
| GÜRKAN | ZORER | PELİN GÖNÜL | ŞAHİN | |
| 13:00 | 13:00 | |||
| AYŞE TEK BAŞARAN | REZZAN KARAMAN | |||
| KPARK10 | KPARK11 | |||
| SANER | GÜZELİŞ | AYLİN | ÇAKI | |
| KEMAL SHYUKRYU | HASAN | MELİS | ÖZGENÇ | |
| EKREM ALPEREN | İLBAŞ | EZGİ | ÖZTÖRÜN | |
| GÜLŞEN NESLİHAN | İZMİRLİ | AYŞEGÜL | POMAKOĞLU | |
| MUSTAFA UMUT | KAFADAR | MERYEM | SAĞIROĞLU | |
| SÜMEYRA FATMA | KALAMAN | AHU | SAHA | |
| HANDE | KANDEMİR | DİLARA | SARI | |
| ERDİ | KARAÇAY | DUYGU | SARIDAL | |
| FERCAN | KASAPOĞLU | ÖKKEŞ | SARITÜRK | |
| SEMRA | KAYA | ÇİĞDEM | SAVAŞKAN | |
| İSMAİL | KAYAPINAR | MEHNAZ ECE | SELTÜN | |
| ESRA | KESKİN | ILYAS | SODANBEKOV | |
| MÜGE | KIRIMCI | ŞEYMA | ŞAHİN | |
| ELİF | KIRLANGIÇ | BERK | TATLIPINAR | |
| NURCAN | KOÇ | MERVE | TEZCAN | |
| SEVGİ ALEV | KOZA | DİLEK | TUNÇ | |
| SELEN | KÜÇÜKARSLAN | EGE | TÜRKERİ | |
| ERSİN | MAHMATLI | NİHAN | ULAŞ | |
| PELİN | NTOGANTZALI | MEHMET MELİH | UYAN | |
| ONUR | OKUT | HİSAR | UYAR | |
| OSMAN | ÖZARSLAN | ŞENAY | ÜNAL | |
| TANER | ÖZBEK | MELTEM | YABACI | |
| SEVİNÇ | ÖZÇELİK | DOĞAÇ | YAVUZ | |
| ESRA | ÖZDİL | ELİF AYŞE | YILDIRIM | |
| NERMİN | ÖZDİLKURAL | MÜRÜVET ESRA | YILDIRIM | |
| PELİN | DİKMEN | RÜYA | YÜKSEL | |
| NAZİFE | ECE | MESUT | UYSAL | |
| ZEYNEP ASLI | AKAL | |||
| OGÜN OLGAÇ | AKSOY | |||
| 14:00 | 14.00 | |||
| REZZAN KARAMAN | SEREN AKYOLDAŞ | |||
| KPARK11 | KPARK10 | |||
| ZEYNEP | ALPAY | GÖZDE NUR | KAZAZOĞLU | |
| ELVAN | ARLI | UFUK | KIZILGEDİK | |
| ŞENOL | ARSLANTAŞ | FULYA | KURAL | |
| ASLI HANDAN | AVŞAR | HİLAL | KÜNTÜZ | |
| SONAY | BAN | HACER | OCAK | |
| MUSTAFA | BATMAN | OKŞAN | ORHAN | |
| SENA EKİN | ÇOŞKUN | JOSEPH URBAN RAPHAEL | SATTLER | |
| ÖZNUR | ÇUKUR | HARUN | SERT | |
| KAREN | DELEON | ASLI EBRU | ŞANLITÜRK | |
| ALİYE GÜL | GÖKYOKUŞ | MUHAMMED TAHA | ŞİRİN | |
| İLAYDA | GÜMÜŞ | DİLARA | TAJİK | |
| CEREN | GÜNDOĞDU | MÜGE | TÜFEKÇİ | |
| ELSHAN | HASANOV | DOĞAN | ULUS | |
| ZİLAN | KAKİ | CEREN | ÜLKÜ | |
| FATMA SENEM | KARA | TUĞÇE | VARNACI | |
| DENİZ | KESER | AYŞE SERA | YAĞLI | |
| HÜSEYİN | MAVİCE | ONUR | YARDIMCI | |
| YASIN | NASIROV | İNCİ ÖYKÜ | YENER | |
| MELİSA | ÖZÇAKIR | DENİZ | YILDIZ | |
| KÜBRA | ÖZKAN | CEMİLE NAZ | YILMAZ | |
| YAKUP | ÖZTÜRK | HAYRUNNİSA MERVE | YİĞİT | |
| FARHAD | SAFAROV | MEHMET İNANÇ | ZEYTİNCİ | |
| GÜLŞAH | GÖDEK | BAHTİYAR | KABA | |
| 15:00 | ||||
| SEREN AKYOLDAŞ | ||||
| KPARK10 | ||||
| BİLGE | ASLAN | |||
| RIDVAN | AYDINLI | |||
| IŞIL | BÜYÜKKAL | |||
| MAHMUT HALEF | CEVRİOĞLU | |||
| KÜRŞAT | CEYLAN | |||
| MEHMET EMRE | CİHAN | |||
| SELİM | ÇOR | |||
| GÖZDE | DİLEKOĞLU | |||
| ERAY | DİNÇ | |||
| FEYZA | ERGİN | |||
| ABDULHAMİT | EROĞLU | |||
| İSMAİL | GÖKCE | |||
| MEHMET ÇAĞRI | GÜRSEL | |||
| ESRA | KURMUŞ | |||
| EZGİ | KURT | |||
| YEŞİM | ÖLÇER | |||
| ELİF SULTAN GİZEM | SAVAŞ | |||
| EFE DOĞUŞ | SELVİ | |||
| LEVENT | SEVİ | |||
| EFE | SOYMAN | |||
| ERSAN | ŞAMLİ | |||
| MEHMET NECİP | TUNÇ | |||
| MEHMET NECİP | TUNÇ | |||
| ENVER | VUAP | |||
| SELİN | YETİMOĞLU | |||
| IŞIL | KARAELMAS | |||
| SAMET | EĞRİDERE | |||
| SAFFET | BEREKET | |||
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